Of all the types of materials in our collection, perhaps the largest single manuscript grouping that we have are programs. There are two main varieties of programs in our collection. The first is the flashiest and most artistic. These are the souvenir programs.
We have souvenir programs from all three Ballets Russes companies.
We have several from Diaghilev's Ballets Russes.
Diaghilev's Ballet Russes Souvenir Program - 1922. Nathalie Branitzka-Hoyer Collection |
Diaghilev's Ballets Russes Souvenir Program - 1927 Nathalie Branitzka-Hoyer Collection |
Ballets Russes de Monte Carlo Souvenir Program - 1932 Nathalie Branitzka-Hoyer Collection |
We also have souvenir programs from the Ballet Russe de Monte Carlo company which was run by Serge Denham and primarily toured across the United States.
Ballet Russe de Monte Carlo Souvenir Program, 1943-44 Shirley Haynes Collection |
While most souvenir programs were created for the company and used across different cities, sometimes, the more far-flung areas created their own souvenir programs. An example of this is from the Original Ballet Russe's tours of Australia and New Zealand.
Original Ballet Russe Souvenir Program from 1936-37 tour of New Zealand Nathalie Branitzka-Hoyer Collection |
While the souvenir programs are more recognizable, the vast majority of programs that we have are from individual performances. Some of them are more illustrious than others, like the staging of all three ballets choreographed by Massine with costumes and sets by Picasson.
December 21, 1920 performance program featuring performances of Parade, Pulcinella, and Le Tricorne. |
Other performance programs are interesting because of the companies and the dancers. They could be from the early days of the combined Blum and De Basil Ballet Russe de Monte Carlo.
November 1932 performance in Amsterdam Nathalie Branitzka-Hoyer Collection |
April 1933 performance in Monte Carlo Nathalie Branitzka-Hoyer Collection |
February 1934 performance in Milwaukee, Wisconsin Nathalie Branitzka-Hoyer Collection |
Some of the performance programs are almost as interesting to look at as the souvenir programs with beautiful covers and interesting art work.
July 1935 performance program from London, England Nathalie Branitzka-Hoyer Collection |
Often the interest comes from being in a far-flung location. The Original Ballet Russe did several tours of Australia and then spent nearly five years in Central and South America. While many pieces from the Australian tour remained and have been displayed in Australia, much of the work and material from the South American years has been unknown.
October 1936 performance program from Adelaide, Australia Nathalie Branitzka-Hoyer Collection |
Many of the South and Central American programs have never been seen and include the first appearances of young dancers and the debuts of culturally relevant works.
1941 performance program from Havana, Cuba Tatiana Bechenova Collection |
July 1942 performance program from Montevideo, Uruguay Tatiana Bechenova Collection |
September 1942 program from Buenos Aires, Argentina Tatiana Bechenova Collection |
January 1946 program from Oklahoma City, Oklahoma Miguel Terekhov Collection |
January 1948 program from York, Pennsylvania Bernice Rehner Collection |
October 1947 program from Chicago, Illinois Bernice Rehner Collection |
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